Really
Art and Reality 1400–1900

29 March– 6 September 2026

  • Jan van Kessel d. Ä.  (zugeschrieben), Tableau mit Insekten, um 1660, © Arp Museum Bahnhof Rolandseck / Sammlung Rau für UNICEF, Foto: Mick Vincenz
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    Jan van Kessel d. Ä. (zugeschrieben), Tableau mit Insekten, c. 1660
    © Arp Museum Bahnhof Rolandseck / Collection Rau for UNICEF, photo: Mick Vincenz
  • Klaus Rinke, Mutation (Nr. 3) aus der Serie Mutation, 1970
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    Klaus Rinke, Mutation (Nr. 3) aus der Serie Mutation, 1970
    © Arp Museum Bahnhof Rolandseck, Foto: Mick Vincenz
  • Carl Eduard Schuch, Stillleben mit Spargel, 1883
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    Carl Eduard Schuch, Stillleben mit Spargel, 1883
    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Mick Vincenz
  • Adriaen Coorte, Vanitas-Stillleben, 1686
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    Adriaen Coorte, Vanitas-Stillleben, 1686
    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Mick Vincenz
  • Coter, Hl. Veronika (Foto Horst Bernhard)
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    Colyn de Coter, Hl. Veronika mit dem Schweißtuch, um 1510
    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Peter Schälchli, Zürich
  • Nadar (Gaspard-Félix Tournachon) Der Fotograf Nadar im Korb seines Ballons, 1863
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    Nadar (Gaspard-Félix Tournachon) Der Fotograf Nadar im Korb seines Ballons, 1863
    © The J. Paul Getty Museum, Los Angeles, 84.XM.343.1
  • Max Liebermann, Hof des Waisenhauses in Amsterdam, 1876
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    Max Liebermann, Hof des Waisenhauses in Amsterdam, 1876
    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Peter Schälchli, Zürich
  • Terbrugghen, Tric-Trac-Spiele
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    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Horst Bernhard
  • Anonym (Meister des Marienlebens), Jüngstes Gericht
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    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Horst Bernhard
  • Schwingen
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    © Arp Museum Bahnhof Rolandseck/Sammlung Rau für UNICEF, Foto: Jens Hofmann

In times of AI and fake news, our trust in the truth of images is fading. But what about historical works of art? We rarely question what we see in them, even though they are often far more complex than we think. They convey hidden messages that we can barely perceive today. What was considered true in the Middle Ages and the Baroque era now often seems unreal – insights from science and a fundamentally different view of religious and spiritual ideas have transformed our perception.

 

Around 70 fascinating works – paintings, sculptures, miniatures, and photographs – illustrate how our understanding of reality has changed over five centuries. In the Middle Ages and Baroque period, faith was tangible and real. Sculptures of saints made their healing power and the divine visible, allowing believers to experience faith physically and directly, to the point where people were convinced of their real healing force. In the 16th and 17th centuries, seemingly realistic genre scenes and still lifes were highly popular. Yet, they often contained deeper symbolic meanings waiting to be interpreted and unlocked. Finally, with the realism of the 19th century, photography and painting began to compete for authenticity. Between devotion and everyday life, between ideal and observation, the exhibition reveals how each era has portrayed its own concept of truth.

Accompanying Programme

  • Guided Tour
  • Workshop
  • Concert
  • Special Event
  • For Friends & Sponsors
11 Events

Curator - Art Chamber Rau

Dr. Susanne Blöcker

+49 2228 9425-68
bloecker@arpmuseum.org

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